Dr Tess Cosslett: Victorian women’s poetry; science and gender in nineteenth century literature.


Prof Terry Eagleton: the novel; Irishness; politics and literature.


Dr Kamilla Elliott: Interdisciplinary connections of nineteenth-century literature: painting, book illustration, film and television; Victorian studies.


Prof Keith Hanley: The history of Wordsworth’s reception; Ruskin and Romanticism.


Prof Lynne Pearce: Pre-Raphaelite art and literature from a feminist perspective.


Mr Tony Pinkney: William Morris.


Prof John Schad: Victorian fiction and poetry; eccentricity; Christian unreason.


Dr Catherine Spooner: Gothic and Sensation fiction; fashion and dress in nineteenth-century literature. Dr Andrew Tate: Ruskin; Victorian literature and theology.


Renaissance and Early Modern Literature Dr Robert Appelbaum: Early modern cultural studies; Shakespeare and Milton; seventeenth century colonialism, Utopianism, and the New World.


Prof Alison Findlay: Feminist approaches to Shakespearean drama (including women’s drama); staging cities in the plays of Richard Brome.


Dr Hilary Hinds: Seventeenth-century writing and feminist criticism; women writers from the radical religious sects of the seventeenth century.


Dr Liz Oakley-Brown: Early modern writing-especially translations into English; Literary Theory.


Women’s Writing and Feminist Theory Dr Tess Cosslett: Women’s poetry; the construction of self in contemporary women’s autobiography.


Dr Alison Findlay: Women’s writing in 1550-1700 (especially drama).


Dr Hilary Hinds: Seventeenth-century writing (especially women’s writing in the radical sects); Contemporary images of feminism (especially in the press).


Dr Lindsey Moore: Postcolonial women’s writing; contemporary Arab women’s writing.


Prof Lynne Pearce: Re-scripting romance; women as readers/women as writers; theories of gendered reading; gender and National/Regional identity.


Dr Catherine Spooner: Fashion, gender and the body.


Dr Jayne Steel: Irishwomen’s writing; film scripts. Students working in this area will also benefit from the presence of the internationally recognised Centre for Gender and Women’s Studies which offers an extensive programme of seminars and conferences.


Arts and Social Sciences 57


Twentieth-Century Literature and Cultural Theory


Dr Arthur Bradley: Literature and theology; literary and cultural theory.


Dr Brian Baker: Representations of masculinity in fiction and in cinema; genre fiction; science fiction; contemporary British and American fiction; literature and cinema.


Prof Terry Eagleton: the novel; Irishness; politics and literature.


Dr Michael Greaney: Joseph Conrad; the contemporary novel of ideas.


Dr Lee Horsley: Comparative approaches to satire in Twentieth Century British and/or American literature; the literature of political crisis and collapse in the second half of the 20th


Century; crime fiction and the Noir thriller.


Dr Lindsey Moore: Postcolonial literatures and theory; identity, memory and community: writing migrancy; Salman Rushdie.


Mr Tony Pinkney: T.S. Eliot and the transformations of Romanticism.


Prof John Schad: Modernism; mid-century writing; life after theory.


Dr Tony Sharpe: Modernism and the poetry of T.S. Eliot; Modernism and the poetry of Wallace Stevens.


Dr Catherine Spooner: Gothic in literature, film and popular culture; fashion and dress in literature and popular culture.


Dr Andrew Tate: Contemporary American fiction and theology.


Creative Writing Jo Baker: Irish fiction; women’s writing.


Helen Farish: Contemporary women’s poetry (Louise Gluck and Sharon Olds); short fiction.


Paul Farley: Contemporary British poetry; English Romanticism; the city in literature; sound art.


George Green: Irish writing; biography and creative non- fiction; the historical novel; graphic novels.


Graham Mort: Poetry and short fiction; writing for radio; pedagogy of creative writing; emergent African literature.


Prof John Schad: memoir; critical-creative writing; place writing.


Dr Jayne Steel: Screenwriting; children and horror fiction.


English and Creative Writing


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