Dr Jonathan Munby (Film): The politics of Hollywood cinema’s aesthetics, censorship, European exiles and American crime film, African American popular culture.
Dr Felipe Otondo (Music): Electronic music, spatial sound, acoustics, site-specific works and sound installations.
Dr Andrew Quick (Theatre Studies): Contemporary experimental performance; live art; avant-garde theatre; media in performance, performance documentation; ethics and performance; performance and space.
Takayuki Rai (Music): Composition; Computer Music (especially Interactive Computer Music with Max/MSP); History of Electroacoustic and Computer Music; Development of Software Tools; Interactive Multimedia Art using DIPS (Digital Image Processing with Sound)
Professor Gerry Harris (Theatre Studies): Feminism; gender and sexual politics in theatre and performance; 19th-century French popular theatre; television drama, writing for performance, performance processes.
Dr Drew Hemment (Design): Social technologies; art and technology; sustainability in urban environments; locative media; the city and technology; remote collaboration; open data; collaborative art; open source culture and the public sphere
Dr Karen Juers-Munby (Theatre Studies): Contemporary postdramatic theatre; theories of acting, especially of 20th/21st and 18th century; European theatre and drama; the work of Elfriede Jelinek; contemporary dramaturgies; visuality and intermediality in performance; translation and adaptation in theatre.
Dr Sabine Junginger (Design): Design research; design in organisations; human-centred product development; design thinking and design methods; systems design; gender and design; information design; communication design.
Dr Alan Marsden (Music): Music computing, music information retrieval, and computational musicology, especially concerning representation, theory and analysis; systematic music theory; music psychology.
Dr Deborah Mawer (Music): 20th-century French music in cultural context (Ravel, Les Six); French music and jazz; music analysis; music-dance relations; music education; string instrumental teaching.
Professor Emma Rose (Art): Contemporary experimental fine art; digitally processed video; abstract and semi- abstract painting; topics and themes in contemporary criticism.
Dr Richard Rushton (Film): Film studies, Gilles Deleuze and film theory.
Dr Antti Saario (Music): Fixed media, acousmatic and electroacoustic composition, production, aesthetics and their performative applications; the recording studio as a compositional tool; foundsound; experiential and corporeal manifestations in sound and composition; experimental recording and production; sound and composition in interdisciplinary context; composition and recording as research methodologies; collaborative composition.
Dr Daniela Sangiorgi (Design): Service design; design for change within service organisations; design for public services; service innovation; service design and the digital economy.
Nigel Stewart (Theatre Studies): Contemporary and post-modern dance and physical theatre; choreography and choreology; movement analysis and notation; directing, dramaturgy and performance composition; landscape and environmental performance; phenomeno- logical, hermeneutic and environmental aesthetics.
Dr Edward Venn (Music): 20th-century and contemporary music, especially British (Adès, Tippett, Hugh Wood); pop music; analysis; hermeneutics and semiotics; musical gesture.
Professor Stuart Walker (Design): Design for sustainability; product meaning and aesthetics; product design and development; design criticism and contemporary issues; practice-based design research.
Professor Nigel Whiteley (Art): Cultural ideas in the visual arts of art and architecture, particularly in the late Modernist/early Post-Modern period of the 1950s and 1960s.
44 Arts and Social Sciences
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204 |
Page 205 |
Page 206 |
Page 207 |
Page 208 |
Page 209 |
Page 210 |
Page 211 |
Page 212 |
Page 213 |
Page 214 |
Page 215 |
Page 216 |
Page 217 |
Page 218 |
Page 219 |
Page 220 |
Page 221 |
Page 222 |
Page 223 |
Page 224 |
Page 225 |
Page 226 |
Page 227 |
Page 228