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STAFF RESEARCH INTERESTS
Bruce Bennett: Film theory, Georges Bataille, James Cameron,
economics of film production, Hollywood cinema, blockbusters,
science fiction cinema, early cinema, recent Chinese and Japanese
cinema.
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Gary Bettinson: Film aesthetics, Hong Kong cinema and Asian
filmmaking in general, American independent and mainstream cinema.
Fred Botting: Cultural and critical theory (psycho- and schiz-
analysis, Bataille and general economy; romanticism and
postmodernism; techno-poiesis), uncanny media (gothic
technologies; cybergothic; neuromanticism), smoking, sublimity,
.lancs.ac.uk/fass/cultr
consumption and horror.
Rebecca Coleman: Bodies and embodiment, social, cultural and
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feminist theory; visual culture; interdisciplinarity, innovative
methodologies.
Tim Hickman (History): U.S. Cultural and social history; narcotics
Debra Ferreday: Gender identity, feminist cultural theory, new and professional medicine at the turn of the century; 19th and 20th
media, popular culture and online identities. century American fiction, art and politics; critical theory.
Charlie Gere: The cultural effects and meanings of technology and John Hughes (Sociology): Ethnomethodology and computer-
media, particularly in relation to art and philosophy. supported co-operative work which is directed at using ethnography
to ‘investigate real work, real time’ activities and relating these to
Nick Gebhardt: Jazz, American popular music, ideology, and the state.
the design of computer systems.
Patrick Hagopian: Public memories of Vietnam and other wars; the
Bob Jessop (Sociology): State and social theory, comparative
public history of race and slavery.
political economy and British politics.
Jonathan Munby: The politics of Hollywood cinema’s aesthetics,
Adrian MacKenzie (Sociology): New media and continental
censorship, European exiles and the American crime film, African
philosophy, cultural theories of technology and digital cultures.
American popular culture.
Maureen McNeil (Gender and Women’s Studies): Women’s
Richard Rushton: Film studies, Gilles Deleuze and film theory,
Studies, Cultural Studies, Science Studies. Cultural studies of
psychoanalysis.
technoscience, reproductive politics, politics of expertise and knowledge.
Hager Weslati: Cultural encounters between the ‘Arab world’ and
Paolo Palladino (History): History of science, technology and
the UK, cross-cultural significance of the desert.
medicine in the twentieth century, problems of historiography.
Media, Film and Cultural Studies
Scott Wilson: Heterology, general economy, homoeconopoesis,
Lynne Pearce (English): Women’s writing and feminist literature,
cultural values and corporate futures. Critical and cultural theory.
cultural theory.
Associated Staff
Rosemary Betterton (Gender and Women’s Studies):
Andrew Quick (Theatre Studies): Contemporary experimental
Representations of maternal embodiment; contemporary feminist
performance, live art and installation, gender and cultural theory,
ethics and aesthetics; women’s art practice related to modernity and
avant-garde theatre, the use of media in performance.
1st and 2nd wave feminism.
Jeffrey Richards (History): British cinema, British music, Victorian
Anne Cronin (Sociology): Advertising, consumer culture, material
theatre.
culture, gender and culture.
Imogen Tyler: The intersection of cultural theory, continental
Michael Dillon (Politics and International Relations):
philosophy and social practices in specific relation to female identity
Continental political thought and new problematics of security,
and the concept of narcissism. Social and cultural theory, feminist
Polemicisation, Pure War.
philosophy, film/ Media theory.
Norman Fairclough (Linguistics): Critical approaches to discourse John Urry (Sociology): Environmental change, the ‘sociology of
analysis and their application in studies of relations of domination nature’, technological cultures, cultures of travel and tourism. Arts and Social Sciences:
and of cultural change.
Linda Woodhead (Religious Studies): Twentieth century religion,
Gerry Harris (Theatre Studies): Feminism, gender and sexual
particularly Christianity approached from a variety of angles – ethics,
politics in theatre and performance, media studies.
theology, sociology, cultural studies history.
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