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Professor Gerry Harris (Theatre Studies): Feminism; gender and
sexual politics in theatre and performance; 19th-century French
popular theatre; television drama, writing for performance,
performance processes.
Dr Drew Hemment: Social technologies; art and technology;
sustainability in urban environments; locative media; the city and
technology; collaborative art; open source culture and the public
sphere.
Dr Karen Juers-Munby (Theatre Studies): Contemporary
postdramatic theatre; theories of acting, especially of 20th/21st
and 18th century; European theatre and drama; performance
analysis; translation and translation theory.
Dr Sabine Junginger (Design): Design research; design in
organisations; human-centred product development; design
thinking and design methods; systems design; gender and design;
STAFF RESEARCH INTERESTS information design; communication design.
Professor Elaine Aston (Theatre Studies): Contemporary plays
and performances by women; gender theory and performance;
Dr Alan Marsden (Music): Music computing, music information
feminist theatre practices; representations of women in 19th-century
retrieval, and computational musicology, especially concerning
theatre; performance analysis.
representation, theory and analysis; systematic music theory; music
psychology.
Dr Neil Boynton (Music): Computer music, interactive systems and
new media; theoretical writings and teachings of the Wiener Schule
Dr Deborah Mawer (Music/Palatine): 20th-century French music
(especially Schoenberg and Webern); sketch studies of 20th-century
in cultural context (especially Ravel, Les Six); French music and jazz;
music.
music-dance relations; music education; string instrumental
teaching.
Professor Rachel Cooper (Design): Design management and
policy; new product development; design in the built environment;
Amanda Newall (Art): Sculpture, glass casting, costume,
urban regeneration, socially-responsible design, and design against
performance intervention, live art, digital video and interactive
crime.
games, curating and professional practice, installation.
Dr Leon Cruickshank (Design): Innovation and design
engagement, going beyond participatory design, especially in the
Dr Felipe Otondo (Music): Electronic music, experimental music
emergence of the citizen designer, democratized innovation and
theatre, spatial design, acoustics, site-specific works and sound
mass creativity; developing new processes and methods for designers
installations.
to facilitate citizen led applications of design thinking and methods.
Dr Andrew Quick (Theatre Studies): Contemporary experimental
Gerry Davies (Art): Contemporary drawing practice; political and
performance; live art; avant-garde theatre; media in performance,
environmental Diasporas; the city and situationist drawing, performance documentation; ethics and performance; performance
contemporary British artists’ sketchbooks. and space.
Frank Dawes (Enterprise): Entrepreneurship education for the
Takayuki Rai (Music): Computer music, especially interactive and
creative industries; creative leadership learning and development;
multimedia works with instruments and live computer systems.
business support for the creative industries.
Professor Emma Rose (Art): Contemporary experimental fine art;
Martyn Evans (Design): Design thinking; design-led futures;
digitally processed video; abstract and semi-abstract painting;
design management; design and brand strategy; product design and
topics and themes in contemporary criticism.
development; design strategy and scenario planning; trend
forecasting; practice-based design research; product semantics.
Dr Antti Saario (Music): Fixed media, acousmatic and
Matt Fenton (Theatre Studies): Media in performance,
electroacoustic composition, production, aesthetics and
performance writing, site-sensitive performance, arts management,
performative applications; the recording studio as a compositional
venue programming, cultural policy, directing.
tool; foundsound; experiential and corporeal manifestations in
sound and composition.
John Fox (Theatre Studies): Installations, celebratory events,
ceremonies for contemporary rites of passage; performance and Daniela Sangiorgi (Design): Service design; design for change
perception in an ecological context; vernacular art; woodcuts, within service organisations; design for public services; service
collagraphs, drawing, enamelling and whirligigs. innovation; service design and the digital economy.
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