This page contains a Flash digital edition of a book.
51
Renaissance and Early Modern Literature Creative Writing
Dr Robert Appelbaum: Early modern cultural studies; Jo Baker: Irish fiction; women’s writing.
Shakespeare and Milton; seventeenth century Helen Farish: Contemporary women’s poetry (Louise Gluck and
colonialism, Utopianism, and the New World. Sharon Olds); short fiction.
Prof Alison Findlay: Feminist approaches to Shakespearean drama Paul Farley: Contemporary British poetry; English Romanticism;
(including women’s drama); staging cities in the plays of Richard the city in literature; sound art.
Brome. George Green: Irish writing; biography and creative non-fiction;
Dr Hilary Hinds: Seventeenth-century writing and feminist the historical novel; graphic novels.
criticism; women writers from the radical religious sects of the Graham Mort: Poetry and short fiction; writing for radio;
seventeenth century. pedagogy of creative writing; emergent African literature.
Dr Liz Oakley-Brown: Early modern writing-especially translations Prof John Schad: memoir; critical-creative writing; place writing.
into English; Literary Theory. Dr Jayne Steel: Screenwriting; children and horror fiction.
Women’s Writing and Feminist Theory
.lancs.ac.uk/fass/english/
Dr Tess Cosslett: Women’s poetry; the construction of self in
contemporary women’s autobiography.
www
Dr Alison Findlay: Women’s writing in 1550-1700 (especially
drama).
Dr Hilary Hinds: Seventeenth-century writing (especially women’s
writing in the radical sects); Contemporary images of feminism
(especially in the press).
Dr Lindsey Moore: Postcolonial women’s writing; contemporary riting
Arab women’s writing.
Prof Lynne Pearce: Re-scripting romance; women as
readers/women as writers; theories of gendered reading; gender
and National/Regional identity.
Kim Wiltshire
Dr Catherine Spooner: Fashion, gender and the body.
eative W
Dr Jayne Steel: Irishwomen’s writing; film scripts.
Kim Wiltshire is studying for a joint English and Creative
Writing PhD in the department, part time.
Students working in this area will also benefit from the presence of
the internationally recognised Centre for Gender and Women’s
”After completing an MA in Creative Writing at Manchester
Studies which offers an extensive programme of seminars and
Metropolitan University, I felt that I wanted to take my research
in feminist literary criticism further. Having worked in Lancaster,
conferences.
a few years ago, I took a look at Lancaster University’s website
Twentieth-Century Literature and Cultural
and realised that one of the professors in the department, who
has subsequently become my supervisor, was the author of the
Theory English and Cr
book on feminist rhetoric I was reading at the time. I emailed
Dr Arthur Bradley: Literature and theology; literary and cultural
her straight away, and she was really enthusiastic and helpful,
theory.
having since guided my rather naïve initial ideas into a study of
Dr Brian Baker: Representations of masculinity in fiction and in
types of masculinity used in contemporary fiction in relation to
cinema; genre fiction; science fiction; contemporary British and
feminism – exactly what I wanted to look into, but wasn’t sure
American fiction; literature and cinema.
how! Because I want to interweave my own writing through
Prof Terry Eagleton: the novel; Irishness; politics and literature.
the study, I also have a creative writing supervisor, who has
Dr Michael Greaney: Joseph Conrad; the contemporary novel of
been a real support with my writing.”
ideas.
Dr Lee Horsley: Comparative approaches to satire in Twentieth
”I commute between Manchester, where I live and work, and
Century British and/or American literature; the literature of political Lancaster, which means I have the best of both worlds.
crisis and collapse in the second half of the 20
th
Century; crime Lancaster is an incredibly calming atmosphere to work in, and
fiction and the Noir thriller. the department is supportive and friendly. I can spend one day
Dr Lindsey Moore: Postcolonial literatures and theory; identity, here and get more work done than I can in a week at home!”
memory and community: writing migrancy; Salman Rushdie.
Mr Tony Pinkney: T.S. Eliot and the transformations of
”The emphasis placed on forming a postgraduate community in
Romanticism.
Lancaster is also fantastic. In the first year I attended a series of
Prof John Schad: Modernism; mid-century writing; life after
research skills seminars, and met other postgraduates from the Arts and Social Sciences:
theory.
faculty. It really helped to form a bond with the University as I
Dr Tony Sharpe: Modernism and the poetry of T.S. Eliot;
could contact others in the same position as me if I needed a
Modernism and the poetry of Wallace Stevens.
bit of support, or advice, or even just a chat. There is always a
Dr Catherine Spooner: Gothic in literature, film and popular
seminar, or event, or gathering happening, and it makes you
culture; fashion and dress in literature and popular culture.
feel as if you are part of the University.”
Dr Andrew Tate: Contemporary American fiction and theology.
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210
Produced with Yudu - www.yudu.com