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Nigel Stewart (Theatre Studies): Contemporary dance and
physical theatre; choreography; movement analysis and notation;
directing, dramaturgy and performance composition; landscape
and environmental performance; phenomenological, hermeneutic
LICA
and environmental aesthetics.
Dr Edward Venn (Music): 20th-century and contemporary
music, especially British (Tippett, Adès, Hugh Wood); analysis;
hermeneutics and semiotics; musical gesture.
Professor Stuart Walker (Design): Design for sustainability;
product meaning and aesthetics; product design and
development; design criticism and contemporary issues; practice-
based design research.
Professor Nigel Whiteley (Art): Cultural ideas in the visual arts
of art and architecture, particularly in the ‘late’ Modernist/’early”
Post-Modern period of the 1950s and 1960s.
RESEARCH ACTIVITIES
As a postgraduate student in LICA you will benefit from our
Sarah Casey
thriving and exciting research culture. All of our research activities
PhD Student
Arts and Social Sciences:
generate opportunities in which our postgraduate students can
participate.
“LICA’s range of expertise across theory and practice allows
students flexibility in shaping their studies to fit their
Centre for the Advanced Study of
individual needs, interests and skills. The interdisciplinary
Contemporary Performance Practice (CASCPP)
ethos provides access to support from multiple LICA sections
CASCPP supports the exploration of new methodologies
and encourages opportunities for cross- discipline exchange.
investigating contemporary dance, drama, installation and
Lots of people comment on the friendly, welcoming
intermedia arts, and theatre. It examines the processes that
atmosphere, which in my experience, offers a constructive
creative practice entails, placing the artist as a central figure in the
balance of challenge and support. This supportive working
interrogation of contemporary performance.
environment has enabled me to thrive, challenging me to
extend thinking and push myself to the limits by looking
ImaginationLancaster
beyond the boundaries of my own practice. Studying as part
A creative design research lab that imagines futures for people,
of this active research community has provided both
products, places and systems. It undertakes research which
motivation and insight, helping me develop as an informed,
addresses industry (manufacturing, construction) and sector
reflexive artist and researcher.”
domains (leisure, health, education, crime) from different
perspectives including design thinking, design management,
design policy, and creative visualisation techniques.
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