hollywood
by bill biss
Jack Benny
EddiE Carroll
is JaCk BEnny
Continuing a LegaCy in Laughter in BLoom
Stepping into the shoes of an entertainment giant like Jack Benny is no easy
feat. Yet actor Eddie Carroll has been doing it in sold-out houses for the past 24
years. This exceptional task and tour de force performance comes to our Balboa
Theatre for one afternoon on Sunday, December 7. Carroll not only continues
his one-man recreation of Jack Benny all over the country, he is the voice of the
beloved Jiminy Cricket for Walt Disney Studios and has been since 1974. A real
Hollywood trooper, Eddie took some time out from his busy and blessed schedule
to speak with The Rage Monthly.
Rage: Laughter in Bloom is scripted in a realistic manner.
Will you explain a bit more about this?
Eddie Carroll: Sure. We’re so conditioned today, Bill, and I’m sure you will
agree… over the years we’ve had so many tribute everythings. You know, the Elvis
impersonators and so forth, there’s a tendency on people’s part to think that if
someone is recreating a famous person, it’s a Las Vegas nightclub act. What I do is
not an act. I’m not a stand-up comedian or an impressionist. I’m a theatre-trained
actor. So, what I did to recreate and to keep alive Jack Benny’s image is to write a
show where Jack Benny literally shares his entire life story with the audience.
Rage: That sounds interesting.
EC: Yes, that’s what gives it its foundation and its heart. Otherwise, it’s just
somebody standing up and doing a Rich Little for thirty minutes. It’s a two-hour
stage production with a 15-minute intermission. I did my first production of this
as Jack Benny in 1983. The whole purpose of coming to see a famous icon again is
Eddie Carroll as Jack Benny to create an illusion that it’s really him in person.
34 RAGE monthly | DECEMBER 2008
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112