This page contains a Flash digital edition of a book.
2
0
TOP100
0
8
RICKY STONE
“IT’S FAST, dynamic and super-effi cient, I “I’ve certainly got a lot of Chinese
just feed off that energy,” says Ricky Stone friends!” he laughs.
of Hong Kong, yet similar words could be Which, considering we’re talking about the
used to describe the Sheffi eld-born DJ country with the world’s largest
himself as much as the city he has called population, is clearly a good leg-up when
home for the past six years. it comes to scaling the Top 100 chart.
For whilst Stone arrived in Asia in 2002 as
a proselytising voice for electronic music, But Stone is also making quite a name for
he has since become something of an himself outside of his adopted homeland
evangelist for the Oriental club scene too, largely thanks to his 852 Recordings
itself, establishing himself as probably the label and new sister imprint Flatbelly, an
most infl uential Western-born DJ in the outlet for a more electro-based sound that
region, as his set at the Olympics closing already has Will Bailey and Montero, aka
ceremony in Beijing highlighted. Dee McAuley and Graeme Laverty, on the
“I was lucky to go there just as electronic roster. Not to mention putting out Stone’s
music was fi rst getting started and I’ve own tracks such as ‘Cantonese Woman’ and
seen it grow every year,” he explains. ‘Shanghai Taxi’, which, as the latter’s title
In fact, so beloved is Stone with the Far suggests, show he’s really behind the
East that his gigs further abroad, such as driving seat of China’s club scene.
those on his recent 30-date tour of PAUL CLARKE
America, are regularly packed with as many
Chinese ex-pats as with locals.
First record you ever bought? Grandmaster Flash ‘The Message’
Weirdest thing you’ve seen all year? Me doing daily yoga.
Style: Deep and doggy. Best known for: Turning Asia on its head!
Top gadget of 2008? My PA Hugh Wilson!
Tune of 2008: Ricky Stone & Mikael Jonasson ‘Cantonese Woman’
Your year in fi ve words... Hectic, exciting, confusing, eventful, amazing.
Producer of 2008: Dubfi re
Most important thing you’ve learned recently? Life is short — embrace it!
RICARDO VILLALOBOS
CHILEAN-GERMAN DJ/producer Ricardo First up was ‘Enfants’, the second release
Villalobos is the leading light in European on Sei Es Drum at the start of 2008. Based
minimalism, so it’s no surprise that he on a sample of schoolkids singing in
breaks with convention rather than Spanish, its simplicity, as well as its
following it. While much of the scene that author’s refusal to put the kickdrum in the
his work infl uenced is imploding, Villalobos mix, triggered a whole wave of tracks that
continues to release music that confounds either lifted wholesale samples and worked
and inspires. No matter if you love or hate them to a housey backing — eg, Miss Fitz
his music, everyone has an opinion about and Jay Haze — or which dispensed with a
it. beat, like Patrice Baumel’s ‘The Roar’.
‘Vasco’, on Perlon, released in two
Unsurprisingly, the softly spoken DJ instalments, was his next project.
doesn’t follow the same well mapped out Featuring Baby Ford and Shackleton on
routine as may of his peers. Having remix duties — the latter being payback for
redefi ned the art of the mix CD late last Villalobos’s classic version of the dubstep
year for Fabric, he remains distrustful of producer’s ‘Blood On My Hands’ — it
the internet — he claims to only go online featured a more refl ective sound,
once every month and rarely, if ever, checks highlighting his intuitive ability to craft
his emails – and truly passionate about organic, intricate rhythms with subtle,
vinyl. Indeed, Ricardo’s label Sei Es Drum melancholic sensibilities.
doesn’t release digitally. Finally, he put out the more menacing bass
licks of ‘Akklaa’ as part of a split EP for Sven
While he was as busy as ever as a DJ playing Vath’s Cocoon label.
in every major European city at the
weekends, as well as visiting Montreal and Despite all of this activity, he also signed
Tokyo this year — and avoiding the States SiS’s huge horn track ‘Trompeta’ to Sei Es
as always for political reasons — it was his Drum. No matter what he does next,
releases as much as his masterfully Villalobos is sure to surprise and impress.
meandering sets that won him kudos. RICHARD BROPHY
074
www.djmag.com
DJ467.top100_35_36.indd 74 16/10/08 10:22:21
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210  |  Page 211  |  Page 212  |  Page 213  |  Page 214  |  Page 215  |  Page 216  |  Page 217  |  Page 218  |  Page 219  |  Page 220  |  Page 221  |  Page 222  |  Page 223  |  Page 224  |  Page 225  |  Page 226  |  Page 227  |  Page 228  |  Page 229  |  Page 230  |  Page 231  |  Page 232  |  Page 233  |  Page 234  |  Page 235  |  Page 236  |  Page 237  |  Page 238  |  Page 239  |  Page 240  |  Page 241  |  Page 242  |  Page 243  |  Page 244  |  Page 245  |  Page 246  |  Page 247  |  Page 248  |  Page 249  |  Page 250  |  Page 251  |  Page 252  |  Page 253  |  Page 254  |  Page 255  |  Page 256  |  Page 257  |  Page 258  |  Page 259
Produced with Yudu - www.yudu.com