The Hacienda spirit
lives on...
Win a limited edition T-shirt and print
WHAT WAS ONCE one of the world’s most iconic and vital club venues, The
SCIENCE
Hacienda, is a potent ghost in Manchester’s musical mythology. In its heyday a vivid,
exciting and vital space, the legend of Peter Hook and Tony Wilson’s acid house hub
lives on in the hearts of many.
FACTION!
And now, Art Vinyl — those guardians of album art and sleeve aesthetics — have
devised a special, limited edition commemorative T-shirt and print package, which Dubfi re’s label night touches
captures the essence of the nightspot.
down at Ministry
The offi cial Fac 51 T-shirt package includes a translucent art
print featuring the Hacienda’s classic Use Hearing Protection THE FLIPSIDE of his upbeat house persona as part of Deep Dish,
logo wrapped in a vivid Haçienda yellow T-shirt, all packaged in
one of Art Vinyl’s distinctive fl ip frames.
WIN!
Dubfi re is Ali Shirazinia’s dark, chrome-plated solo techno entity.
Having torn up the rulebooks with mind shredding sets and tracks
There are only 501 in existence, retailing like ‘Rib Cage’, he’s become one of the world’s most in-demand DJs,
at £105 each — check
artvinyl.com rocketing to No.30 in this year’s Top 100 DJs poll as a New Entry under
for further details. But we’re his solo guise.
giving one of these rare as hen’s
teeth print/T-shirt packages On Saturday 15th November, Ali and his label Sci+Tec touch down at
away. Simply answer London’s Ministry of Sound for a night of the freshest machine music
this question: Name imaginable.
Happy Monday’s Dubfi re hits the decks alongside Italian techno cat DJ Simi, whose
famous album recent cut for the imprint, ‘Errore di Sistema’, has been ripping
produced by Paul discerning fl oors apart all summer.
Oakenfold. They’ll also been joined by erstwhile progressive hero Nic Fanciulli,
Send your answer, who’ll undoubtedly be ploughing a tougher musical furrow than usual.
together with full postal
address, phone and T-shirt size to: The night coincides with the release of a new EP on Sci+Tec, the ‘Dubfi re
ben.murphy@djmag.coy@djmag.comm. Closing date Presents Angels Over Naples EP’, a series of collaborations with Naples’
is 25th November. fi nest techno talent, including Rino Cerrone, Joseph Capriati, Gianni
Pellecchia and Gaetano Parisio, on which DJ Simi also appears.
Dubfi re’s redrawing the tech template. Don’t miss this EP or the hottest
CUT
ticket in town.
‘
N
’
PAS
TE
KI
N
G
2006 Retrospective’, out now on FX from old movies, Steinski and
Illegal Art. Double Dee made experimental
Gathering many of his seminal tracks that nonetheless had the
records, including ‘The Payoff Mix’ dancefl oor in mind.
and ‘Lesson 2 (James Brown Mix)’, Their unique tracks were to
it came about after Illegal Art infl uence acid house cut ‘n’ paste
approached Steinski with the idea cats Bomb The Bass and M/A/R/R/S
for the compilation following the to name but two.
label’s success with another modern “I thought of it as just dance music
sampling nut, Girl Talk. and the avant-garde thing just
“Illegal Art were surprised that they trailed along behind because I
didn’t get a bomb dropped on them can’t help being who I am,” Stein
Sample master
after the fi rst Girl Talk record, and considered.
they looked around and said, ‘Let’s
Steinski is back!
call Stein and see what’s going on The new compilation also contains
with him,’” the producer recalled. “I Steinski’s later, more sampladelic
was very fl attered, it’s been really work, with a brand new track
wonderful that they wanted to put ‘Number Three On Flight Eleven’
WITHOUT legendary cut ‘n’ paste audio collages of funk, soul and hip-hop it out,” said Stein. hinting that there may be more new
technician Steinski, the world of modern cut-ups that shook the hip-hop world when music on the horizon.
music would be a very different place. His they fi rst appeared in 1983, continuing to Some of the fi rst to painstaking “I hope so,” Stein grinned. “The
series of ‘Lesson’ records, constructed resonate through the subsequent decades. stitch hundreds of familiar tracks future will tell. Hopefully this will
alongside production partner Double Dee, Out of the spotlight for several years, together in a kind of hyper- give me the impetus to say, ‘The
redefi ned parameters of what was possible Stein’s back with a defi nitive collection of accelerated instrumental hip-hop people think I should do this, let me
using other people’s records, creating his work, ‘What Does it All Mean? 1983 – packed with voice samples and do this.’”
012
www.djmag.com
DJ467.upfront4.indd 12 14/10/08 17:04:28
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204 |
Page 205 |
Page 206 |
Page 207 |
Page 208 |
Page 209 |
Page 210 |
Page 211 |
Page 212 |
Page 213 |
Page 214 |
Page 215 |
Page 216 |
Page 217 |
Page 218 |
Page 219 |
Page 220 |
Page 221 |
Page 222 |
Page 223 |
Page 224 |
Page 225 |
Page 226 |
Page 227 |
Page 228 |
Page 229 |
Page 230 |
Page 231 |
Page 232 |
Page 233 |
Page 234 |
Page 235 |
Page 236 |
Page 237 |
Page 238 |
Page 239 |
Page 240 |
Page 241 |
Page 242 |
Page 243 |
Page 244 |
Page 245 |
Page 246 |
Page 247 |
Page 248 |
Page 249 |
Page 250 |
Page 251 |
Page 252 |
Page 253 |
Page 254 |
Page 255 |
Page 256 |
Page 257 |
Page 258 |
Page 259