Opus Editorial 30/11/07 16:46 Page 046
managers Ron Dennis, Jean Todt and Flavio Roebuck, and freelancers Tom Clarkson,
Briatore tick, and also peels back the veil Bob Constanduros, Adam Cooper,
from FIA president Max Mosley. Executive Mathias Brunner, Gerry Donaldson,
Editor Jane Nottage, of The Sunday Times, Sabine Kehm, Anthony Rowlinson,
reveals the true character behind Ferrari Stephane Samson, Michael Schmidt and
chairman Luca di Montezemolo, while The Helmut Zwickl complete this perfect mix.
Guardian's Richard Williams creates a new Additionally every Opus is characterised
image of the mercurial Enzo Ferrari that by a Gallery section of stunning portraits taken
shatters many well-constructed myths of the on the legendary Polaroid 20 x 24 Studio
past. Bob McKenzie of The Daily Express camera. This huge piece of photographic
paints a gripping portrait of Ayrton Senna equipment, which stands 150cm high and
the racer and Ayrton Senna the man, weighs 107 kg, was originally developed to
while Spanish writers Miguel Sanz Bernardino enable the accurate reproduction of works of
and Antonio Lobarto probe Fernando art such as paintings and tapestries. However
Alonso's fundamentally shy character. seeing the superbly detailed 50 x 60cm prints
Autobiographer Timothy Collins demonstrates that the camera reproduces, photographers
just why Alonso's 2007 team-mate Lewis soon started to use it as a creative tool.
Hamilton is regarded as the new sensation For the F1 Opus, the Studio camera
of the post-Schumacher era. The murky was brought over to Silverstone from Prague
underworld of F1 espionage is investigated in order to photograph all the living F1
with surgical precision by grandprix.com's Joe champions. Over three days Zenon Texeira
Saward. Elsewhere, the talents of the BBC's used this unique large-format photographic
Andrew Benson, The Observer's Maurice technology to portray the champions as you
Hamilton, The Guardian's Alan Henry, have never seen them before.
Autosport's Mark Hughes, Motor Sport's Nigel
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