ART
The Royal Academy is breaking with tradition and
for the first time dedicating all five of its main
galleries to the works of a living artist – those of
celebrated sculptor and 1991 Turner Prize winner
Anish Kapoor.
Widely regarded as one of the most influential
and pioneering sculptors of his generation, Kapoor
is renowned for monumental works such as
Marsyas, which presided over the Tate Modern’s
Turbine Hall in 2002 and the huge, reflective
stainless steel work Cloud Gate in Chicago.
The exhibition at the Royal Academy surveys
Kapoor’s career to date as well as showcasing new,
previously unseen works.
Five of the Academy’s rooms are taken up by
the monumental work Svayambh – a 30 ton block
Kapoor’s
of red wax that moves almost imperceptibly on
sunken rails, leaving a residue in its wake. At three
meters wide and two meters tall, the work is too
wax work
big to fit through the doorways of the gallery and
is gradually moulded by the building as it squeezes
through.
The wax theme continues in the Weston Rooms
with Shooting into the Corner (2009). Consisting of
a cannon that projects red wax in to a corner at
regular intervals, the work gradually creates a self
made sculpture that grows and changes over the
duration of the exhibition. Described by the artist
as “a psycho drama in a violent world”, the loud
bang made by the cannon is as much a part of the
work as the end form.
Elsewhere in the exhibition there are machine
made cement works – an entirely new departure
for Kapoor – as well as early iconic pigment pieces
and stainless steel reflective sculptures. Outside,
the Annenburg Courtyard is home to a major new
sculpture that stands at 15 meters tall and made
up of endlessly reflecting steel silver spheres.
Born in India in 1954, Kapoor studied at
Hornsey College of Art and the Chelsea School of
Art. He lives in Chelsea.
Until December 11 at the Royal Academy,
Burlington House, Piccadilly. T: 020 7300 8000.
Svayambh – a 40-ton block of red wax
moving imperceptibly on rails
17
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84