SHOWROOM TOP PickS
and showed us throughout the order how they really care about
their customers. The client is thrilled!”
“The mix of exotic veneers and lacquer fi nishes is extraordinary,” said
Lavin. “The piece looks stately when it’s in one of the exceptional veneers
offered: bird’s eye maple; European sycamore and zebrawood; and candy
lacquers. And it has a pop appeal in white, lime green, pink or red lacquer.
I like the combination of the burl walnut veneer case with the
chocolate lacquer base. Also, it’s a clever idea to offer options for
having all drawers, all doors or a combination of four doors and
two drawers.”
The Palette, from Wendell Castle, is fully customizable, with three design confi gura-
For more information:
tions and a wide selection of wood and lacquer combinations. Thomas Lavin, Inc.
doors or four drawers – and can be used as a dresser, console, media
Pacifi c Design Center Suite B-310
cabinet or offi ce cabinet. Adrienne Mascaro, owner of Studio Blu Interior
West Hollywood, CA 90069
Design in Marina Del Rey, California, found the Palette to be, “so sophis-
T: (310) 278-2456
ticated with its clean lines and sleek fi nish. The fl exibility of sizes was
F: (310) 278-2469
just what we needed in order for it to work . . . also, Thomas Lavin was
E-mail: info@thomaslavin.com
such a wonderful representation for this line. They were so professional
Web site: www.thomaslavin.com
CUTLER DALTON FINLEY GOLDSMITH HUTMAN MASCARO
"CPVU
UIF
%FTJHOFST
Mark Cutler is the owner of Mark Cutler Design, Inc., in Los An- encourages the turnkey lifestyle, while supporting clients in every aspect
geles. His full-service design fi rm offers interior design, space planning, of design, furnishing and accessorizing.
building design and renovation, lighting design and furniture procure- Gina Goldsmith received a degree in interior design from the Amer-
ment. Cutler, inspired by his extensive travels, has successfully par- ican College, London, after spotting an ad for an interior design study
ticipated in design projects for fi ve-star hotels and upscale residences abroad program in a British design magazine while vacationing there.
worldwide, as well as working with Hollywood’s Jennifer Lopez and In 1998, Goldsmith returned to the States and established Arabesque
Steve Carell. Designs, LLC, in Los Angeles, specializing in residential interi-
David Dalton is the owner of David Dalton, Inc., a 20-year-old ors and construction.
design fi rm that is based in Los Angeles and specializes in commercial Samara Hutman received an art history degree from Columbia Uni-
and residential design. Dalton is actively involved in the fi rm’s design versity. Her vast experience, including set décor work on fi lms by Robert
projects, including current installations for Scott Hamilton’s 10,000- Redford, Jodie Foster and Mike Nichols, was benefi cial when she decided
square-foot Colonial mansion in Georgia, Meatloaf’s 4-acre, 10,000- to open her design shop, HomeWork Décor in Santa Monica.
square-foot California home, Red Rock Casino Resort & Spa in Las Adrienne Mascaro was raised and educated in Chicago. She gradu-
Vegas and The Montage Resort and Spa in Laguna, California. Dalton’s ated with a B.F.A. in interior design and a minor in theater. She worked
furniture line has appeared in Elle Décor and Robb Report. as a set designer for fi lm and television and in 1999, the talented artist
Amy Finley has always been fond of beauty and artistry. She grew opened Studio Blu, a Venice-based design fi rm that concentrates pri-
up in the Midwest and was part of an artistic family, which inspired her marily on residential design.
to open Finley Designs. As president and CEO, Finley spends her time
working on a huge number of residential and commercial projects and

1n Design Trade Magazine
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166