aRchitectURe, DISPATCHES aRt, mUsic, aRchitectURe, fiLm, shoppinG, neWs and thinGs to maKe and do… aRt, mUsic, aRchitectURe, fiLm, shoppinG, neWs and thinGs to maKe and do…
top five: What to see this month
By RichaRd WentWoRth
artist and master of the Ruskin school of art, oxford
1
3 5
aLLan KapRoW
modeRn thomas d
n
a
painteRs scheiBitz

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k
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the work of the camden town thomas scheibitz’s art joins
w
e
n
painters has the smell of up with other things i’ve

,
y
north London, the smell of the said. he’s a noise, and that’s
r
h e
c l
railways, the smell of how something i think you should
r l
a a
e G
to stop being a victorian and always go to see. it’s not
s
e r
R a
the desire for modernity and what i would call a chapman
d
y k
t a
the failure to get it. there Brothers noise, arsey noisy- t n
e o
are moments when you’re in boys stuff. i must have met
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e a
mornington crescent when you him without realising it,
h y
t n
a
can still really feel it – the because i was a guest at the
t t
a
;
weird physical space between dresden academy when he was a
y t
r s
a i
euston Road and camden town. student. i love that you don’t
r t
b r
i a
they all went to the slade and remember artists’ names. What
L
e
h h
then somehow failed to leave. people say is to do with his
c t
r
a y
there were all these men pleasure and directness in the
e s
s e
e t
of course, i miss masses of things, because nobody’s
consorting with each other, sumptuous. the word ‘yummy’
R r
u
e o
got a life that can do all this. there’s a hilarity
Walter sickert and frederick has been used, which is a h c
t
Gore and so on. as you can wonderful word for an artist.
,
to the idea of trying to see everything.
y m
s c
tell, i didn’t go to the almost a sense of how you
e
t 0
r 9
courtauld, but i know how it might approach an ice cream.
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i think René Block introduced me to allan Kaprow,
o
c x
works – those funny rivalries also the camden arts centre is

who is a whole generation away now, but he’s the
, 0
e 0
within a city. just astonishing. it has to
t 3
kind of person that students just want to drill
a
t ,
walk a very complicated line
s s
into. he made stuff happen. i’m intrigued about the
e a
v
Modern Painters:
– inner-city, inner-economy,
w n
relationships people had. i think of him as either
o a
the CaMden town GrouP
r c
inner-conversation, tribal
p
being friendly or combative with somebody like a n
UntiL 4 may
K o
claes oldenburg. they are the kind of the noise
world/public responsibility

n l
tate BRitain, London a i
i grew up with, so i like to check stuff like this
– and i think that’s been done l o
WWW.tate.oRG.UK
l
very intelligently.
a ,
to see whether i’m still right in my ideas about
7
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it. i would go and look at a show because i’ve got
, 2
s
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r ,
a feeling about an artist and i need to check my
thomas scheiBitz
e d
p i
UntiL 20 apRiL a k
feelings. i use that a lot as a way of registering
p
chimneys
camden aRts centRe
w
w o
who i am.
o l
London
r l
p e
and toWeRs
a y
WWW.camdenaRtscentRe.oRG K
aLLan KapRoW: art as life
e
n h
a t
23 maRch – 30 JUne
l
l ,
charles demuth is the
a z
moca, Los anGeLes t
, i
WWW.moca.oRG beginning of a certain kind
n b
w i
o e
of american modernity, like
n h
k c
n s
a pop artist who doesn’t know
u
s
r a
that pop’s going to happen.
e m
h o
2
p h n
i suppose it’s like the camden
a t o
r d
g . n
o t o
Ryan GandeR
town thing – how do you get
t s L
o u
out of something that you’re
h r &
p t
h
in? they all knew across the , y c
d t i
the very lovely title ‘art director’ is a really
water there were french people
l t n
o e u
h G m
interesting term. a hell of a lot of what we see is
shaping modernity, and demuth
e
s l ,
u u n
effectively art-directed: that’s what a building
went to have a look: to me he
o a l
h p ö
K
is, architecture, that’s what this magazine is and
leads inevitably to man Ray,
g .
n J ,
i s
that’s what all the crap on the television is.
who had to go to paris to
n e r
i h e
i think what Ryan does brilliantly is that he art-
a t g
become an artist. he couldn’t
l a
p d m
directs, and he’s foaming with ideas. they don’t all
x n
become man Ray by hanging
e a e
n
work – it’s really important, i think, that there’s
w , e
around in philadelphia.
o s m
r e o
failure in there. you can really feel the pleasure
p l l
a e i
K g h
of that as a kind of life energy. i’m just really ChiMneys and towers:
n p
n a
a &
glad that he exists! Charles deMuth’s late
l s
l o h
a L t
PaintinGs of lanCaster ü
: , r
t e p
Ryan GandeR: heralded as the new BlaCk
UntiL 27 apRiL
f t s
e u
UntiL 24 maRch, iKon, BiRminGham
Whitney, neW yoRK
l t a
i k
m t i
WWW.iKon-GaLLeRy.co.UK WWW.Whitney.oRG
o s n
r n o
f i m
ArTrEvIEw 42
NEW Dispatches_T5_March.indd 42 6/2/08 09:53:47
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