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FuTure GreaTs
Tris Vonna-Michell
by Mark Sladen
“With an egg timer set at five minutes I’m going to tell you a story the story is in
six acts act one to act six chronological order however due to an intervention act
seven which happened in 2006 will be the first starts here preface 2006 I
returned to a small dark room in a museum…” The most immediately striking
aspect of the performances of Tris Vonna-Michell is their delivery, which is rapid,
breathless and mesmerising. Words and phrases tumble over each other, the
thrust of the narrative threatens to become lost in repetition and diversion, but
through it all the artist speeds on with the charisma of a natural storyteller.
Vonna-Michell was born in 1982, brought up in the English coastal town
of Southend and went to college in Falmouth and Glasgow before completing
his studies at the Städelschule in Frankfurt in 2007. His characteristic format is a
spoken narrative that interweaves personal anecdote, historical research and
conspiracy theory; a narrative performed in an installation setting that might
include slide projections, scattered photocopies and other props. His works,
which include hahn/huhn (2004), Finding Chopin: In Search of the Holy Quail
(2006) and Down the Rabbit Hole (2006–7), have in the last year been included
in events such as Performa 07 in New York and seen at venues such as Witte de
With in Rotterdam and Cubitt in London.
One recent work, Papierstau (Paper Jam; 2007), takes as its jumping-off
point the destruction of Stasi files in East Berlin in autumn 1989. The artist read a
newspaper report about attempts to use computers to reconstruct documents
from 16,000 sacks of shredded paper – detritus left behind by the East German
secret police. Vonna-Michell was inspired to visit the city, and his narrative
relates the original episode to his own experience of living alone in Leipzig for a
month in a Soviet-era bedsit, destroying his personal photographic archive with
a hand-operated shredder. The story’s focus on the destruction and
reconstitution of archives offers a useful analogy to Vonna-Michell’s work, an
ongoing paranoid exercise in the retrieval of personal and historical knowledge.
Top and middle: Tall Tales and Short Stories, 2007
(installation views, Cubitt Gallery, London),
photos: Jet, courtesy the artist. Below: Leipzig Calendar
Works, 2005, performance at the HFBK Gallery,
Hamburg, 30 October 2006, courtesy the artist
99 Artreview
FUTURE~1.INDD 99 11/2/08 12:30:46
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