This page contains a Flash digital edition of a book.
Bharti Kher Rachel Goodyear
Bharti Kher’s recent show at Jack Shainman Gallery, New York, Manchester-based Rachel Goodyear’s delicate pencil and
generated rave reviews, and deservedly so. The London-born, watercolour drawings on paper depict charming and occasionally
Delhi-based artist’s cast-resin sculptures of animals (such as The disturbing images from nature, and bear stylistic similarities to
Skin Speaks a Language Not Its Own, 2006, an elephant decorated Marcel Dzama’s and Joe Biel’s wispy illustrations. Nominated for
with millions of swirling, swarming spermatozoa, which was Beck’s Futures in 2006, her recent exhibitions include The Drawing
exhibited at the Fifth Asia-Pacific Triennial and at Art Unlimited at Cabinet, Marc de Puechredon, Basel, and Drawing 2007, the
Art Basel last year) and series of objects and surfaces decorated Drawing Room, London. Selected by Laura Allsop
with bindis make for an intriguingly international blend of East and
West. Selected by ArtReview
Günther Herbst
Hilary Koob-Sassen
The paintings of South African London-based artist Günther
Herbst have recently taken homeless shelters as their starting point:
This London-based American sustains a prolific and rigorous ramshackle hovels at odds with the architecture of the city, and yet
practice in heavyweight steel-and-stone sculpture, video art, invisible to passersby. Herbst uses the language of painting,
diagrammatical drawing and extremely energetic singing- particularly that of Mondrian, to further articulate his subject matter.
songwriting in his band the Errorists. The connecting thread His recent exhibitions include a solo show at One in the Other,
through his work is an intense and playfully poetic analysis of world London, and the group exhibition ARTfutures 2007, Bloomberg
systems, human and natural, and a suggestion of new ones. As he SPACE, London. Selected by ArtReview
declared in a performance at his London gallery T1 + 2 during his
solo show there last year, “Gaia made it popular, now the Errorists
are here with new vernacular.” Selected by James Westcott
Daniel Silver
Oscar Tuazon
Daniel Silver’s experiments in portraiture and artistic possesion
have ranged from watercolours made from 1970s photos of
Armenian monks to traditional carvings depicting mugshots of
Paris-based artist Oscar Tuazon investigates sustainability and death-row inmates, as realised by African craftsmen. He has
utopian ideals with photographic works and assemblages of cast- recently had solo exhibitions at Ancient & Modern and IBID
off materials – from cardboard boxes to melanin boards and Projects, both in 2008, and the Camden Arts Centre, London, in
wooden pallets. These have evolved from sculptures to large-scale 2007. Selected by ArtReview
building prototypes that hover between art and functionality.
Tuazon’s recent exhibitions and projects include Documenta 12
Magazine Projects, Kassel, the solo exhibition I’d Rather Be Gone,
STANDARD, Oslo, and Oscar Tuazon / Mike Freeman, Castillo /
Corrales Gallery, Paris, and Art Basel 38 Statements, all in 2007.
Selected by Shamim M. Momin
FUTURE~1.INDD 107 11/2/08 12:51:04
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182
Produced with Yudu - www.yudu.com