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MediaMagazine is published by the English and
Media Centre, a non-profit making organisation.
The Centre publishes a wide range of classroom
editorial
materials and runs courses for teachers. If
you’re studying English at A Level, look out for Welcome to MediaMag 23 and our
emagazine, also published by the Centre. special print supplement.
The English and Media Centre This issue falls into three parts. The first section
18 Compton Terrace considers a range of postmodern phenomena
London N1 2UN – and if postmodernism is a term you find
Telephone: 020 7359 8080 confusing (join the club!) just think Boosh and
Fax: 020 7354 0133 you’ll get it After a look at Vince Noir, Howard
Email for subscription enquiries: Moon, the gorilla et al, you could reconsider
rebecca@englishandmedia.co.uk the appeals of Ugly Betty – part tele-novela,
Managing Editor: Michael Simons part soap opera, part sit-com, its eclectic mix
Editor: Jenny Grahame of genres, parody and self-consciousness veers
Editorial assistant/admin: Rebecca Scambler towards the postmodern, while nevertheless
Design: Sam Sullivan (www.edition.co.uk) providing you with plenty of material to address
Printed by S&G Group more conventional key media concepts such as
ISSN: 1478-8616
representation and institution. And for some of
the most postmodern approaches of all, check
out some of the examples of user-generated
video content in Jerome Monahan’s article on Cover: The
How to subscribe
new research into camcorder culture. Socks – how
Mighty Boosh,
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postmodern are they?
BBC
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The middle section of the magazine is
September, December, late February
dedicated to our print theme. A less obviously
and late April. sexy medium than moving image or digital
media, print is sometimes thought to offer less
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interesting texts for Media Studies. Yet despite
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teachers, further library copies:
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of the McCann coverage. This is a story which has
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fantastic productions on page 47.
one article (10%) per issue per school
on news values may suggest some reasons why.
• Are the print media in terminal decline?
or college. However, articles from the
We also look at print advertising, the significance
Undergraduate Lauren Christy investigates
subscription website can be printed
of design and layout in the way readers make
how changes in lifestyle, technology and
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sense of its messages, and the ways AS Level
audience consumption are affecting the future
students have explored these principles in their
of the giant media publishers such as Emap.
own stunning production of charity advertising
• Looking for Jane Arden Was there really a
campaigns; read and be inspired.
British woman writing and directing feature
The final section explores different notions of
films in the 1960s and ‘70s? Sean Kaye-Smith
MediaMagazine website genre – ideal if you are currently preparing your
and Natasha Hewitt go in search of the newly
MediaMagArchive on the MediaMagazine A2 coursework or final exams. Rob McInnes selects
rediscovered work of Jane Arden.
website (www.mediamagazine.org.uk) gives his own personal best-ever Teen movies; Tonia
• Camcorder cultures: a timeline of news in
you access to all past articles published in de Senna explores what the Scream trilogy tells
the making Jerome Monahan’s timeline of
MediaMagazine. There are two ways of getting us about the Horror genre and its postmodern
the rise and rise of the camcorder from the
access to the MediaMagazine website: (that term again!) variations; and Neil Daniels asks
handcranked Cine Kodak of 1923 to mobile
1. Centre subscription plus 5 or more student whether the Western genre may be a therapeutic
phone videos and the YouTube phenomenon.
subscriptions. response to social, cultural and politic change in
• The Smiths: ten to download The essential
2. Centre subscription plus £40. America. Finallly, check out our competition on
tracks, context and further reading on those
page 5 – you could win an iPod Shuffle!
Manchester Miserabilists.
2 MediaMagazine | February 2008 | english and media centre
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