RAM Prospectus 2009 1of2_150508:ROY2_011 2005 Prospectus 2/4 22/5/08 17:09 Page 1
Welcome
Principal
ProfessorJonathanFreeman-Attwood
BMus, MPhil, Hon RAM
Principal’sPA:
KateMcKiernanHonARAM
Telephone02078737377
Emailk.mckiernan@ram.ac.uk
‘excellent… performed with vigour
and authority by the RoyalAcademy
of Music students’
SundayTimes,February2008
Professor Jonathan Freeman-Attwood Sinceitwasfoundedbackin1822,the ifitiscloselyalliedtothemanyothercultural
BMus, MPhil, Hon RAM
RoyalAcademyofMusichasbecomeone shiftswhichweseearoundus.
StudiedatUniversityofTorontoand
ofthemostrecognisablenamesinmusic.
ChristChurch,Oxford.Recordingproducer
AllofthishappensattheAcademyina
formanyindependentrecordlabels,
Greattraditionsdonotguaranteefuture seeminglyendlessrangeofactivities.
includingChannelClassics,BIS,Chandos,
success,butattheAcademytheydoinspire Orchestralandchambermusic,‘period’and
Naxos,ASV,Hyperion,Simaxetc.,many
ustoachieveanespeciallyhappyblend contemporarymusic,musicaltheatre,
ofwhichhavewonmajorawardsand
ofcontinuityandcutting-edgework.Cherish opera,musicfornewmedia:allareguided
prizes.Asatrumpetplayer,hehas
aswedoourdistinguishedalumni,fine bysomeoftheworld’sgreatestmusicians.
performedwidelywithsolorecitalsand
teachersandenterprisingstudy Wealsodrawincreasinglyonour
discsofsonatas,concerti,including‘Bach
programmes,attheAcademywenever technologicalresources,our‘living
Connections’,‘TheTrumpetsthatTime
simplyrestonourreputation.Everydaywe museum’,ourarchivesandourpeerless
forgot’withJohnWallace,‘LaTrompette
questionthequalityandeffectivenessofour stringedinstrumentsfromCremona.
Retrouvée’and,in2008,‘TrumpetMasque’
work,reappraisingourprimarygoal:how
forLinnRecords.BroadcasterforBBC,
torealisethepotentialofeachandevery Over90%ofourgraduatesfromthelast
NewGrovecontributor,criticandwriteron
musicianattheAcademy.Remainingthe 20yearsaregainfullyemployedinthe
performancefornumerouspublications.
moststimulating,dynamicandfriendly musicprofession.ThroughOpenAcademy,
musicalenvironment,wewantevery studentsengageinground-breaking
AsDeanofUndergraduateStudies1991–5,
student—wherevertheycomefrom — communityprojectsaspartofthecore
hedirectedthefirstcycleoftheBMus
tomaketheirindividualmarkandtoleave curriculum.No-oneneedspersuadingthat
programme.Vice-PrincipalandDirectorof
equippedfortherealitiesofprofessionallife. suchactivitiesarecentraltothetaskof
Studiessince1996,andPrincipalsince
buildingimportantandfulfillingcareers.
July2008.AppointedaProfessorof
Exploringamusicalpersonality,atthesame
UniversityofLondon,2001.
timeas‘tougheningup’foracareer,isan 2009willwitnessmanyfurtherexciting
excitingcollaborativechallengeforstudents developments —includingtheconstruction
andstaffalike.Imyselfthriveonit.There ofnewpracticefacilities,whichwill
isnodogmaticorprescriptive‘school completeabuildingandrefurbishment
ofteaching’attheAcademy;ourstaff programmewhichoverthelastdecade
representmanydifferentpedagogicaland hastransformedtheAcademy.
creativelineagesforstudentstoembrace
astheychoose. Aprospectuscanonlysaysomuch.
ComeandseetheAcademyforyourself,
Butthereisone ‘Academyway’.Itiswhere arrangeconsultationlessonswithour
young21st-centurymusiciansareexpected, professors,cometoconcertsandevents,
asneverbefore,tocommunicatetheirart talktocurrentstudents —andaskall
withablendofpassionateadvocacyand thosedifficultquestions!
entrepreneurialpurpose.Musicwillonly
keeponbeingacentralpartofpeople’slives Youwillreceiveawarmwelcome.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68