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RAM Prospectus 2009 2of2_150508:ROY2_011 2005 Prospectus 2/4 22/5/08 15:23 Page 44
Creative Museum,Research
Technology andCollections
Emailtechnology@ram.ac.uk DeanofResearch,
MuseumandCollections:
AmandaGlauertPhD,MA,ARCM,HonRAM
(picturedbelow)
Research,Museum
Right:ComposerPatrickNunnand andCollectionsAdministrator:
cellistPeterGregsonworkingwiththe FionaHymnsBA
‘hyperbow’—acollaborationwiththe Telephone02078737443
MediaLabatMassachusettsInstitute Emailf.hymns@ram.ac.uk
ofTechnology,MIT.
SeniorLecturerinCreativeTechnology:
CreativeTechnologyLab(CTL) Arena Sincethemuseumopenedin2002ithas collections,artandartefactcollections— Theteam
AntonyPitts
Thenewly-builtCreativeTechnologyLab TheAcademy’sintranetistheportalfor createdmanyopportunitiesforthe allowsstudentsandstafftoexplorekey AmandaGlauertMA,PhD,ARCM,HonRAM
BA(picturedabove)
(WinneroftheULULaurelAward)isa allelectroniccommunication,including Academytoshowcaseitscollectionsand figuresfromtheAcademy’shistoryasa
(DeanofResearch,MuseumandCollections)
MiltonMermikides
professionalrecording,composition, news,diaries,timetables,email,digital research,andthewholerangeofits creativestimulusfortheirownpractice. DavidGortonBA,MMus,PhD,ARAM
BSc,BMus,OC
synthesis,restoration,mixingandmastering coursework,audioandvideo. educationalactivity.
(PostgraduateTutorandAssociateHeadofResearch)
(HeadofMusicTechnology)
JohnDrinkwater
studioofthehighestlevelandsitsatthe TheAcademyplacesahighvalueon PeterSheppardSkærvedLRAM,ARAM
GTCL,LTCL
heartoftheAcademy’smusicalvisionforan RAM.FM AttheAcademy,researchisconceived collaborativework.Itsustainsalarge
(MuseumResearchFellow)
(LecturerinTechnologyandIntranetEditor)
AdamLangston
increasinglyhigh-techfuture.TheCTLhosts TheCreativeTechnologyLabisthe asanessentialpartofallteachingand numberofcollaborativeresearchprojects, RaymondHoldenPhD,DipMus(Ed)(ResearchFellow)
(MusicTechnologyTutor)
ArtemVassiliev
anannualprogrammeofeventsand productionhubfortheAcademy’sweb- learningprovision:theAcademy’sresearch involvingstudentsandstafffromacross FrancesPalmerBSc,MA,PhD,FSA,FMA
MMus(MusicTechnologyTutor)
researchprojects,andprovidesresources based‘radio’station,whichisproduced environmentisdesignedtoholdupa theAcademyandalsoresearchersfrom
(MuseumCurator)
fortheteachingofmusictechnologyatthe bystudentsandshowcasesAcademy- mirrortothepracticeofperformersand MassachusettsInstituteofTechnology, KimPerkinsBA,ATCL(MuseumProjectsCo-ordinator)
‘theAcademyisembracingthenew
Academy.TheCTLofferscomposers, generatedmusicandevents.Production, composers,bothpresentandpast.The TateStIves,MuséedelaMusique(Paris), SamanthaPettitPGDip,BA,HonARAM
technologyandmusicaldirections’
performersandresearchersaccesstoaudio broadcasting,andmultimediaskillsare Academy’srangeofcollectionmaterials LibraryofCongress(WashingtonDC),
(Research,MuseumandCollectionsBusiness
ClassicalMusic,September2006
andvideorecording/editing,andtothelatest taughtformallyandsharedoutsidethe —whichincludesplayingcollectionsof BirkbeckCollegeandtheInstituteof
DevelopmentManager)
developmentsinelectroacoustic/electronic classroomthroughtheAcademy’sintranet. stringedinstrumentsandhistoricpianos MusicalResearch.
JanetSnowmanMA,HonARAM,FRSA
musicandaudioanalysis. aswellasonitsarchives,libraryspecial
(CollectionsRegistrar)
TheRAMline The‘livingmuseum’hostsexhibitions
DavidRattrayHonARAM(InstrumentCustodian)
TheCreativeTechnologySuite ‘GoogleEarthforclassicalmusic’ andeventsoverthreefloorsofpublic
NicolaSheddenHonARAM
incorporatesanumberofstudiosand www.overgrownpath.com,April2008
‘Drythisacademicafternoonwas
galleries.Theexhibitionsareopenevery
(VisitorServicesandGalleriesOfficer)
teachingroomswithanarrayofmusic
not!Itwasaprivilegetoattendwith
technologyincludingPowerbookmobile In2006,theAcademybeganbuildinga
sometwentystudentsarevelatory
weekday(11.30am–5.30pm)and
audiosystems,wirelessmotion uniqueindexofdigitizedarchivesandonline
publicseminar’
weekends(12.00–4.00pm).Regularfree
sensors,hyper-instruments,MAX/MSP, resources,togetherwithaspecializedtool
Musicalpointers.co.uk,April2005
publiceventsareheldduringterm-time.
Jitter,theIRCAMsoftwaresuite,plus thatallowsthisindextobebrowsedand TheAcademyiscommittedtomaking
SibeliusandFinalenotationsoftwareand searchedintuitivelybystudents,staffand availableonlineallofitscollectionmaterials,
Sequoia/Samplitudeeditingsoftwareon visitors.Aswellasanever-expanding aswellastheireducationalandartistic
desktopandTabletPCs.TheCTLisrun catalogueofmusiciansandofmusicalworks, applications.APOLLO(AcademyPictures
byateamwithawiderangeofexpertise theRAMlinelinkstomanuscriptsources Online)—afastgrowingdigitalarchiveat
includingaudioanalysis,psycho-acoustics, andpublishededitions,liveperformances www.ram.ac.uk/apollo—offersvirtual
cross-mediamusic,andresearchintothe andrecordings,musicalcriticismand accesstomanyAcademycollections.
musicalapplicationsofArtificialIntelligence. comment.Itsimultaneouslydisplaysa
timelineofmusicalhistoryandthelife-cycle
ofanypieceofmusic,fromantiquitytothe
present,andwillbeusedtocharteach
student’smusicalprofileattheAcademy
andbeyond.
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