This book includes a plain text version that is designed for high accessibility. To use this version please follow this link.
Page 25

Historical Performance

Head of Historical Performance:
Laurence Cummings MA, ARCM, FRCO, Hon RAM

Historical Performance Department Administrator:
Helen Thorp BA, Hon ARAM

Telephone 020 7873 7379
Email historical@ram.ac.uk

Viktor Toepelmann: Cello and Viola da Gamba (MMus)

(Picture: Photo of Viktor Toepelmann playing the Cello)

I read music at King’s College London, where I started playing the viola da gamba. After graduation, I decided to take my fascination with early music and gut strings further. The Academy was the obvious place to go to, with the brilliant teachers and its very friendly and lively historical performance department.

The course offers a huge variety of orchestral and chamber-music projects and performance opportunities with some of the most inspiring artists in the field. During the last year, I got to perform on five different instruments (thanks to the amazing collection of string-instruments housed here) in repertoire ranging from Gibbons (viol consort) to Mozart (classical orchestra). A particular highlight has certainly been the performance of a Bach cantata as part of BBC Radio 3’s ‘Escape to Bach’ festival last Christmas inside Brixton Prison— I’d never been there before!’


‘Smooth and ideally flexible playing of the Royal Academy of Music Period Instrument Baroque Orchestra under Laurence Cummings, a perfect base from which the drama could unfold. And the playing wasn’t just “authentic” and polite: Cummings built up a truly operatic head of steam’
Opera magazine, February 2003, on L’Incoronazione di Poppea
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60