FEATURE:
GOSHKA MACUGA six.lintwo.lin
To Polish artist Goshka Macuga’s
levelling eye, artworks are
readymades; since the 1990s she
has been displaying museum
curiosities, bric-a-brac and both
historical and contemporary art
within her installations, or ‘total
environments’, as she prefers to
describe them Skye Sherwin
MAY 2007 MANIFESTO two.linfour.lin
Kader Attia
DISPATCHES three.linone.lin
Mr. brings his brand of kawaii to
Lehmann Maupin; Kunsthalle Wien
presents Elastic Taboos, a survey
of contemporary Korean art; Eden’s
Edge: 15 LA artists at the Hammer;
dirty works on paper by Dash Snow
at CFA Berlin; phrenology and
Darwinism gone mad: Gary Simmons at
Simon Lee; Alejandro Jodorowsky
on DVD at last; a show consecrated
to Brian Wilson at Tate St Ives
this summer; a new show at Paul
Kasmin posits that Frank Stella’s
late work might be yet to come
CONSUMED three.lineight.lin
Susan Collis’s trompe l’oeils; FEATURE:
Simone Shubuck’s lithographs; HELIO OITICICA six.lineight.lin
M/M (Paris)’s candle robot; more The Brazilian modernist Hélio
Oiticica, who died in 1980 at the CULT FICTION COMIC four.linfour.lin
age of forty-three, is gradually Art magazine, as comic, as art!
being rediscovered by the Western Paul Gravett
artworld. Next month a major
exhibition of his work opens at TALES FROM THE CITY four.linsix.lin
Tate Modern J.J. CharlesworthNew York, Jonathan T.D. Neil
Dubai, Mark Rappolt FEATURE:
CATHY DE MONCHAUX seven.linfour.linFEATURE:
In 2002, a few years after being JOHN BOCK five.lintwo.lin
nominated for the Turner Prize, John Bock’s notorious performances,
Cathy De Monchaux retreated to her in which he babbles patent bollocks
studio “to stare at the walls a and incorporates crude puppetry,
bit. It’s almost like looking at rickety contraptions, squirty
the Burning Bush,” she says. cheese, shaving foam, toothpaste
Now she’s emerged to work a bit and the like, are giving way to
of magic Skye Sherwina new focus on fi lmmaking – and
smartening up Sally O’Reilly
On the cover: JOHN BOCK Hélio Oiticica, B30 Box Bólide 17 – Variation on Box
photographed by MIKE FIGGIS Bólide 1, 1965-66, mixed media. Private collection,
©Mike Figgis / Maconochie Photography London. © Projeto Hélio Oiticica, Rio de Janeiro
ARTREVIEW one.linfour.lin
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