Five great reasons to subscribe…
IN FOCUSmovieScope Issue 6:Layout 1 8/1/08 10:34 Page 39
In Focus
movieScope Issue 6:Layout 1 8/1/08 10:34 Page 38
IN FOCUS
SWEE
E
NEY
TODD
In F
THE
DEMON
BARBER
Ocus
OF FLEET
STREET
GloBal FoC
us
ed
Given Sunday.
I finish
what then beca
me Any
it and I gave it
to Brian. I was
in Adelaide,
but his versatili
ty has seen him
pen horror (Ba
ts,
me Machine and
Star Trek: Australia, of all places, working
on a new play
y agent saying,
“Sit down,
1999), sci-fi (Th
e Ti
and I got a call
from m Catheri
ne B
reil
lat
Nemesis, both
2002) and childr
en’s animation
Oliver Stone is
going to be calling
you in five
5 I F 4 Q J E F S
X J D L $
(Sinbad: Legend
Of The Seven
Seas, 2003).
I
minutes.” So Oliver
Stone called, “I
want to do
J O
S
P
U I
O
His latest film is
an adaptation
of Stephen
F
J
D
4
M
U
F
B
T
your movie. I love
your screenplay
. You have to
U
F
P
T
Q
J
F
O
O
'
F
F
E
C
Sondheim’s mu
sical Sweeney
Todd: The Dem
on
meet me in Tokyo
in three days.”
He was there
S F
S V
W
B
J F
S
X
Z
T
U P
B
T
O
U
E
S P
F
O
W
H
F O
Barber Of Fleet
Street, directed
by Tim Burton
T
doing a junket
for Nixon. So thr
ee days later I
P
U
G
S
G
P
J D
O
F
H
F
"
S
and starring Johnny
Depp, Helena
Bonham
C
Swas in Tokyo meeting with O
liver Stone and
we
F
P
N
Y
Carter and Alan
Rickman.
started working
on Any Given Sunday
. That’s
“Do not dare to read this book
B S L B C M
H
F
J
W
B
F
D
O
I
J
U
F
I
W
J T
F
N
U J N F O F U
We met up wit
h John at the S
weeney Todd
P G Z
absolutely how
it began, I had
never written
D
F
P
B
O
S
T
J
J
T
E
F
H
international pr
ess junket. While
the director
S
F
F
O
anything for the
screen before.
I knew nothing
E
F
S
B
B
E
M M
F
Z
Blac
klist
ed
and his stars wer
e being ushered
off down the
about screenwriting
and I learnt on
the job,
for if you take one fateful look
B E
T
[
U
P
V
O
E
F
J P
X
T
I
E
F
V
S
N
F
Q U I F
corridors to a pr
ess conference,
we sat in his
J S
from Oliver. G J M M F N T T T C Q F S P
suite at Claridges,
overlooking the
Christmas
U X
N
F
J T
F
J
lights of London’
s West End, to
talk about his
So you didn’t
have any formal
training or
you barter at your life’
O
O
H
U I F
C
$
P
I
O
S J
B
T
O
U N
[ B B B T O 0 E T U D I B F S �