This page contains a Flash digital edition of a book.
from top:
Photographer Nick Haymes was born in Stratford-upon-Avon and is
currently based in New York. In 2007 he published Between Dog and
Wolf, a series of photographs of skateboarders taken from a larger
ongoing project exploring his relationship with his family.
He will have an exhibition of his work at Bespoke Gallery, New York,
this March. Nick has contributed to magazines such as i-D, GQ and ME
journal, among others. For this issue of ArtReview he photographed
our cover artist, Liam Gillick.
Of his life, Joshua Mack, one of this month’s marathon reviewers,
says: “My grandmother was a collector and philanthropist, so I have
been aware of art since I was three, and have been looking at it,
in a very personal, perhaps selfish way ever since. I received a
degree in Art History at Columbia. Worked for a year at Zabriskie
Gallery and then for five years at Sperone Westwater, both in New
York. For a couple of years I dealt privately, and when the art market
crashed, I went back to graduate school, at the Institute of Fine
Arts, and got a masters. This puts us in 1993. The rest of the 1990s
are a bit of blur. I learned to speak Modern Greek and spent a lot of
time in Athens. I also received a masters in creative writing, non-
fiction, at the New School in New York.” Phew.
When not trolling the streets of Brooklyn and Queens in search of
creative wildlife, his task for this month’s issue of ArtReview,
Tyler Coburn can alternately be found vigorously typing at any of
a number of reputable NYC coffee shops or hauling piles of plastic
from Long Island City to his Greenpoint art studio. He has recently
screened his videos at CRG Gallery, New York, and this month will
participate in Art Rotterdam with the Centre of Attention. He is
also fast preparing his spring solo exhibition with New York’s
MARCH Gallery.
Adam E. Mendelsohn is a fulltime freelance art critic and artist.
He’s contributed essays and reviews to Art Monthly, Time Out New
York, Contemporary, NYArts, Frieze, Artforum and Film Comment, and
has written various catalogue essays, most recently for Rachel Howard.
He lives in a Hunchback of Notre Dame-style tower above an exotic-nut
factory by the harbour in Brooklyn, where freight trains still roll
down the middle of the street at odd times of the day. He recently
bought an original 1945 Swiss Army bike that is heavy and has no
gears, to ride around Green-Wood Cemetery, where people like
Basquiat, Morse (the guy who invented Morse code but was a lousy
pro-slavery jerk all the same), Leonard Bernstein and a whole host
of illustrious criminals and heroes are buried. He still hasn’t got
a Facebook or MySpace profile, but he’s the third of our four New York
marathon reviewers.
Paul Davis is the legendary London-based illustrator behind this
month’s sketches expressing the plight of the art critic on a
marathon run of reviews. His deceptively simple skits with a pencil
have previously tackled such ripe cultural issues as ‘what the
Americans think of the English’, IT worker ennui and the denizens
of new media. Paul has exhibited his work all over the world, and
has been featured in publications as diverse as The Creative Review,
The Believer, i-D and Arena.
Artreview 16
New Contributors _Feb.indd 16 8/1/08 09:55:47
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142
Produced with Yudu - www.yudu.com