from top:
Georgina Adam is the Chair of this year’s ArtReview Power 100
selection committee. An expert in the not-always-transparent field
of artworld power, she recently became Editor at Large for The Art
Newspaper in London, following a seven-year stint editing that
publication’s art market section. She has previously written about
the art market for a number of publications, including ARTnews,
Art + Auction, the Asian Art Newspaper and The Antique Collector,
reporting from France and Japan over the years. Between 1991 and
1995 she covered art sales for The Daily Telegraph, also in London.
Paris-based Italian photographer Andrea Spotorno has worked with
every style and culture title worth its salt, from Self Service
to i-D, L’Uomo Vogue, W, Zoo and Crash. For this issue Andrea
travelled to New York, Los Angeles and London to photograph the
artworld’s power players, as seen in this year’s Power 100.
Scott Timberg, a staff writer at the Los Angeles Times, has covered
art, classical music, architecture and the literary world for the
paper. For this issue his expert knowledge of la-la land’s cultural
scene was put to good use in his contributions to the Power 100
entries. He has also written for GQ, Men’s Vogue and other
publications, and co-edited, with Dana Gioia, The Misread City:
New Literary Los Angeles (2003). A dedicated Anglophile, he attended
Sussex University for two terms and recently visited Manchester
to retrace the steps of some of his favourite bands.
Director since 2004 of Eindhoven’s Van Abbemuseum, in the
Netherlands, Charles Esche is known for his engagement with art’s
relations to audience and community. In addition to his role at the
Van Abbemuseum, which was awarded the Incentive Prize for Cultural
Diversity in 2006, he is a Senior Research Fellow at Central Saint
Martins, London, and co-editor of Afterall Books. He was previously
Visual Arts Director of Tramway, Glasgow, and in 1998 co-founded the
Modern Institute, also in Glasgow. He has co-curated two major
biennials: the 9th Istanbul Biennial (with Vasif Kortun) and the
Gwangju Biennale, in 2002.
Tauba Auerbach is an artist living and working in San Francisco.
Her work revolves around language and its logic, or lack thereof.
She shows at Deitch Projects, Jack Hanley Gallery and Standard
(Oslo) – and for one month only, on the front cover of the ArtReview
Power 100.
Nicolas Bourriaud is newly resident in London, thanks to his
appointment as Curator of the next Tate Triennial. Known as something
of a cultural agitator during his time as Director (with Jerome Sans)
of Palais de Tokyo in Paris, he pioneered a fittingly contemporary
approach to the experience of contemporary art, including late-night
opening hours and an emphasis on the work of emerging talent.
His books Relational Aesthetics (1998) and Postproduction (2002) both
address the new wave of interactivity in art-making of the 1990s,
as seen in the work of artists such as Carsten Holler, Liam Gillick,
Pierre Huyghe, Maurizio Cattelan and Vanessa Beecroft. And in 2005
he curated not one but two biennials: the Lyon Biennial (also with
Sans) and the Moscow Biennial. He has recently completed a new book,
titled The Radicant.
Artreview 26
Contributors.indd 26 27/9/07 17:35:54
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