feature il tempo del postino
above: rirkrit tiravanija in rehearsals
facing page: rirkrit tiravanija with costume designer ramdane touhami

Sala, Tino Sehgal and Rirkrit Tiravanija. During the course of the three-
hour event, each artist occupied a roughly fifteen-minute slot of ‘stage
time’, with the exception of Barney, whose work constituted the entire In a museum it’s the
forty-five-minute second act.
Sehgal opened with a dance performed by the stage curtains;
Aitken had a group of American cattle auctioneers positioned around visitors’ right to skip
the auditorium, tossing their supercharged, rhythmic bid-babble from
one to the next until it became like some strange Buddhist chant; Sala
did something similar with an aria from Madama Butterfly; Gordon by works they’re not
had a torch singer performing Joy Division’s ‘Love Will Tear Us
Apart’; Donnelly had some tumbling monoliths and a good deal of
chain-shaking; Gonzalez-Foerster deconstructed an orchestra during interested in and
a performance of a Beethoven symphony; Dean showed a film of
choreographer Merce Cunningham moving three times to the sound
of John Cage’s famously silent ‘4’33”’. dally around those
Although Liam Gillick’s lonely pianola under an artificial
snowstorm, which returned again and again to cover the numerous
set changes, and a series of comic sketches featuring a pair of Sesame they are. Here that
Street-type characters (a giant mop-like creature and a cutesy midget
devil) by Pierre Huyghe gave the production some sense of cohesion,
the overall effect was as disparate and confusing as Parreno and was not the case
Obrist’s selections of similes, metaphors and associations (of which
more in a bit).
57 Artreview
Manchester Final.indd 7 13/8/07 14:18:25
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150