FEATURE:
CINEMA OF THE STREET 48
‘Reality’ television and YouTube
have exploded the fourth wall
between performer and viewer,
creating a world that feels more
like a stage than ever. The work
of Dara Friedman, Doug Aitken,
Tony Conrad and Karin Schneider
addresses the new cinema of the
street. Alan Licht
FEATURE:
JOHN BALDESSARI 52
One of the most significant artists
of our time looks at his highly
varied career, considers the
future of contemporary art and
JANuARY
MANIFESTO 19 explains what makes Lawrence
2008
Jacob Dahl Jürgensen Weiner run Jonathan T.D. Neil
DISPATCHES 21
Trisha Donnelly’s first
retrospective; Peter Friedl in São
Paulo; Dan Brown’s perfect woman;
Shirin Neshat’s latest installment
of Women Without Men; a Russian
vision of a consumer paradise from
Dubossarsky & Vinogradov; Top
Five: the pick of art to see this
month as selected by Maria Lind;
Under the Influence: Anri Sala
on gaps; George Condo on using
original musical instruments
CONSUMED 32
This season’s art-fashion must-
haves: Richard Prince bags for
Louis Vuitton, plus Damien Hirst’s
Levi’s; new prints from Ellen
Altfest, Matthew Day Jackson and
Huma Bhabha; Lisa Anne Auerbach’s
knitted Drainpipe Kozies; an
edition from Susan Hiller;
wooden action figures by designers
Constantin and Laurene Leon Boym;
blackly humorous furniture by
Atelier Van Lieshout
TALES FROM THE CITY 36 FEATURE:
London, J.J. Charlesworth REAL TRUE SERIOUS:
New York, Joshua Mack ART IN A BRAND NEW WORLD 58
Does something happen to a work
FEATURE: of art when it hangs in a shop
KRIS MARTIN 42 window? How does it maintain its
Why you should clock on to the integrity as art? As the love
young Belgian artist who has affair between art and fashion
stopped time and planted a bomb brands reaches new extremes, we
under the artworld stage look at the implications and ask,
Jessica Morgan is it worth it? Christopher Mooney
John Baldessari, Arms & Legs (Specific. Elbows & Knees), etc.: Arms with
Cowboy Hat, 2007, three-dimensional archival print laminated with Lexan
on the cover: KRIS MARTIN
and mounted on Sintra with acrylic paint, 184 x 152 cm. Courtesy Marian
photographed by ROBI RODRIGuEZ Goodman Gallery, New York and Paris
ARTREvIEW 8
Contents_Jan.indd 8 5/12/07 10:59:40
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