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ART PILGRIMAGE:
LAND ART 122
It was created not to be visited:
Charles Darwent defies the designs
oCToBER
FEATURE:
of Robert Smithson’s and Walter
2007
MICHAEL RAEDECkER 88
De Maria’s Land Art with the aid
Paint, thread and the inspiring
of planes, trains and a hardy
words of Winston Churchill
4x4 to find out what iconic works
have been London-based artist
such as Spiral Jetty (1970) and
Raedecker’s agents in creating
The Lightning Field (1977) are
some of the most bleakly beguiling
actually like, while Max Farago
images of the past two decades.
turns his camera on the affinities
Now the artist renowned for his
in and around Donald Judd’s Marfa
nonconformist vision is finding a
future in the ruins of painting
REVIEWS 147
Martin Herbert
Late Liberties; Fergal Stapleton;
André Butzer; Michael Stevenson;
FEATURE:
Hreinn Friðfinnsson; Welcome to My
THE PAINTING oF
World; Imagine Action; Stella
MoDERN LIFE 92
Vine; Project for a Revolution in
How does painting respond to
New York; Christian Tomaszewski;
photography? A major new show at
Jill Magid; Minerva Cuevas;
London’s Hayward Gallery explores
Matthew Higgs; Matthew Monahan;
one of art’s great conundrums
Evidence of Movement; John
with subtlety and unexpected
Stezaker; XIV Rohkunstbau: Three
questions Brian Dillon
Colours – White; The Moment You
Realise You Are Lost; Banks
Violette; Play Safe: Battlefield
in the Playground; Auto Emotion:
Autobiography, Emotion and Self-
Fashioning
Book REVIEWS 170
Bonfire of the Brands; Art, Anti-
Art, Non-Art: Experimentations
in the Public Sphere in Postwar
Japan, 1950–1970; How to See a
Work of Art in Total Darkness;
From Agit-Prop to Free Space:
The Architecture of Cedric Price
THE STRIP 174
This month’s comic strip
by Carol Swain
oN THE ToWN 176
SPECIAL FoCUS:
Says the Junk in the Yard at
PHoToGRAPHY 99
Flowers East, London, and
An exclusive portfolio, curated
Fractured in Aspect at Andrew
by Brian Dillon, presents the
Kreps, New York
work of four rising stars pushing
the boundaries of contemporary
oN THE RECoRD 178
photography: Yto Barrada; Walead
Who said what
Beshty; Guy Moreton; Vera Lutter.
Plus: this time next year the
legendary critic Michael Fried
will be publishing Why Photography
Matters as Art as Never Before.
Jonathan T.D. Neil catches up
with him to discuss what promises
to be a blazing reentry into
Vera Lutter, RHEINBRAUN, IX: August 30, 2006, 2006
contemporary art criticism. silver gelatin print, 243 x 285 cm. © the artist
ARTREVIEW 22
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