This page contains a Flash digital edition of a book.
self TaughT
this Page: sharif at work in
his studio; opposite page, top:
“queria”; below: on wine bottle
labels at Weins family cellars
hether he’s talking about
w
designing a race car chassis
The way I view life is the way I see cars.
or painting his evocatively
Most people think of cars just as modes of
distilled images of
musicians, art is all about
transportation, but I see lines, shapes, curves,
motion and emotion for 34-year-old Sharif
motion. That’s the way I paint people, too.
Carter. Inspired by his brother’s successful
determination to become a performance DESIGN. DO YOU FIND A NATURAL WAS YOUR FIRST LOVE ENGINEERING OR
guitarist, Carte—who makes his living in the SYMMETRY BETWEEN FINE ART AND ART? I was sketching and drawing when I was
engineering world—began painting fine art ENGINEERING? Definitely. The way I view around four or five years old, but I really had
“for real” in 2004. With his work now being life is the way I see cars. Most people think of a more of a love for cars than anything! And
featured in local art galleries and on wine bottle cars just as modes of transportation, but I see that started with the intricate model cars I put
labels for Wiens Family Cellars, the self-taught lines, shapes, curves, motion. That’s the way together when I was a kid. I began to think that
painter happily finds himself on an artistically- I paint people, too. When I paint musicians, I would love to design my own car one day. And
unexpected detour. I try to catch the expressiveness, the emotion in my junior and senior years at the University
and the motion that comes with playing and of Washington, I finally got my chance to design
YOUR BACKGROUND IS IN MECHANICAL performing music...all with lines and shapes a race car. It looked good, but let’s just say that it
ENGINEERING AND AUTOMOBILE and colors. wasn’t a top performer! (Laughs.)
22 DeceMBeR l MYUNDeRTHeSUN.cOM
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60
Produced with Yudu - www.yudu.com